The Lost Symbol begins with an ancient ritual, a shadowy enclave, and of course, a secret. Readers know they are in Dan Brown territory when, by the end of the first chapter, a secret within a secret is revealed. To tell too much would ruin the fun of reading this delicious thriller, so you will find no spoilers here. Suffice it to say that as with many series featuring a recurring character, there is a bit of a formula at work (one that fans will love). Again, brilliant Harvard professor Robert Langdon finds himself in a predicament that requires his vast knowledge of symbology and superior problem-solving skills to save the day. The setting, unlike other Robert Langdon novels, is stateside, and in Brown's hands Washington D.C. is as fascinating as Paris or Vatican City (note to the D.C. tourism board: get your "Lost Symbol" tour in order). And, as with other Dan Brown books, the pace is relentless, the revelations many, and there is an endless parade of intriguing factoids that will make you feel like you are spending the afternoon with Robert Langdon and the guys from Mythbusters.

Author and conservative talk radio host Levin (Rescuing Sprite, Men in Black) takes on the Statist, a liberal straw man, in this collection of polemics against left-wing tenets (like "economic and social justice"), touchstones (like the New Deal) and institutions (strongholds of liberal thought like academia and the mainstream media). With "an insatiable appetite for control" and a veil of "moral indignation," Levin finds the Statist not only in congressional Democrats and President Obama's White House, but in "neo-Statists" like compassionate conservative Michael Gerson, and the Fed and Treasury under G.W. Bush. Many of Levin's arguments reiterate familiar tropes, including a "strict constructionist" view of the Constitution that sees Social Security as patently un-American. Predictably, Levin opposes the extension of health benefits, derides global warming (implicating Obama's "global warming czar" as a leader in "the Socialist International's Commission for a Sustainable World Society"), and fights back against immigrants, whom the Statist portrays "as universally more virtuous than the citizen." For those new to the Tea Party, Levin offers a handy roundup of conservative talking points, but anyone paying attention to talk radio over the past few years won't learn anything new.
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Glenn Beck's Common Sense: The Case Against an Out-of-Control Government, Inspired by Thomas Paine - In any era, great Americans inspire us to reach our full potential. They know with conviction what they believe within themselves. They understand that all actions have consequences. And they find commonsense solutions to the nation's problems.

One such American, Thomas Paine, was an ordinary man who changed the course of history by penning Common Sense, the concise 1776 masterpiece in which, through extraordinarily straightforward and indisputable arguments, he encouraged his fellow citizens to take control of America's future -- and, ultimately, her freedom.

Nearly two and a half centuries later, those very freedoms once again hang in the balance. And now, Glenn Beck revisits Paine's powerful treatise with one purpose: to galvanize Americans to see past government's easy solutions, two-part monopoly, and illogical methods and take back our great country.

As a popular comedian, radio host and red-blooded male, Harvey doesn't have the bona fides typical to most women's relationship self-help, but he still manages a thorough, witty guide to the modern man. Harvey undertakes the tast because "Women are clueless about men," because "Men get away with a whole lot of stuff" and because he has "some valuable information to change all of that." Harvey makes a game effort, taking a bold but familiar men-are-dogs approach: if you're "cutting back" on sex, "he will have another woman lined up and waiting to give him what he needs and wants--the cookie." Several chapters later, however, he introduces the "ninety-day rule," asserting that, actually, he won't always have another woman lined up--and the only way to makes sure is a three-month vetting period. Harvey also tackles mama's boys, "independent--and lonely--women," and the matter of children in the dating world ("If he's meeting the kids after you decide he's the one, it's too late"). Feminists and the easily offended probably won't take to Harvey's blanket statements and blunt advice, but Harvey's fans and those in need of tough (but ticklish) love advice should check it out (especially the hysterical last-chapter Q&A).
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Starred Review. What perfect timing for this optimistic, uplifting debut novel (and maiden publication of Amy Einhorn's new imprint) set during the nascent civil rights movement in Jackson, Miss., where black women were trusted to raise white children but not to polish the household silver. Eugenia Skeeter Phelan is just home from college in 1962, and, anxious to become a writer, is advised to hone her chops by writing about what disturbs you. The budding social activist begins to collect the stories of the black women on whom the country club sets relies and mistrusts enlisting the help of Aibileen, a maid who's raised 17 children, and Aibileen's best friend Minny, who's found herself unemployed more than a few times after mouthing off to her white employers. The book Skeeter puts together based on their stories is scathing and shocking, bringing pride and hope to the black community, while giving Skeeter the courage to break down her personal boundaries and pursue her dreams. Assured and layered, full of heart and history, this one has bestseller written all over it. (Feb.)
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With tens of thousands of products crammed into the walls of the neighborhood supermarket, trying to find a reliable snack, pantry product, or frozen dinner can be a serious challenge for the time-strained consumer. The Eat This, Not That! Supermarket Survival Guide changes all of that, offering discerning shoppers everywhere a simple plan for finding the healthiest foods for them and their families. Beyond homing in on the best and worst in the world of packaged foods, the Eat This, Not That! Supermarket Survival Guide scours the aisles to help you pick the most nutrient-packed produce, the leanest, tastiest cuts of meat, exotic cheeses that double as healthy snacks, and the best contaminant-free fish the ocean has to offer.

The third book in this genre-busting series is certain to enlarge Kinney's presence on the bestseller lists, where the previous titles have taken up residence for the past two years. Kinney's spot-on humor and winning formula of deadpan text set against cartoons are back in full force. This time, Greg starts off on New Year's Day (he resolves to "help other people improve," telling his mother, "I think you should work on chewing your potato chips more quietly") and ends with summer vacation. As he fends off his father's attempts to make him more of a man (the threat of military school looms), Greg's hapless adventures include handing out anonymous valentines expressing his true feelings ("Dear James, You smell"), attempting to impress his classmate Holly and single-handedly wrecking his soccer team's perfect season. Kinney allows himself some insider humor as well, with Greg noting the "racket" children's book authors have going. "All you have to do is make up a character with a snappy name, and then make sure the character learns a lesson at the end of the book." Greg, self-centered as ever, may be the exception proving that rule. Ages 8-12.
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Telepathic waitress Sookie Stackhouse braces herself for trouble when another group of supernatural beings goes public in her disjointed eighth adventure (after 2008's From Dead to Worse). Following the vampires' lead, the shape-shifters decide to step out of the woodwork and announce their existence to the world. While the initial reveal goes smoothly, the brutal crucifixion of a young werepanther behind the local bar makes Sookie wonder if the people of Bon Temps, La., are as tolerant as she thought. Meanwhile, the FBI is asking questions about Sookie's uncanny ability to locate survivors after an explosion, and trouble is brewing among the secretive fae. Harris tries to cram too much into a single story, and even die-hard fans of Sookie's adventures in print and on HBO's True Blood will complain about the plot gaps. (May)
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All year the half-bloods have been preparing for battle against the Titans, knowing the odds of victory are grim. Kronos's army is stronger than ever, and with every god and half-blood he recruits, the evil Titan's power only grows. While the Olympians struggle to contain the rampaging monster Typhon, Kronos begins his advance on New York City, where Mount Olympus stands virtually unguarded. Now it's up to Percy Jackson and an army of young demigods to stop the Lord of Time.
In this momentous final book in the New York Times best-selling Percy Jackson and the Olympians series, the long-awaited prophecy surrounding Percy's sixteenth birthday unfolds. And as the battle for Western civilization rages on the streets of Manhattan, Percy faces a terrifying suspicion that he may be fighting against his own fate.

Colum McCann has worked some exquisite magic with Let the Great World Spin, conjuring a novel of electromagnetic force that defies gravity. It's August of 1974, a summer "hot and serious and full of death and betrayal," and Watergate and the Vietnam War make the world feel precarious. A stunned hush pauses the cacophonous universe of New York City as a man on a cable walks (repeatedly) between World Trade Center towers. This extraordinary, real-life feat by French funambulist Philippe Petit becomes the touchstone for stories that briefly submerge you in ten varied and intense lives--a street priest, heroin-addicted hookers, mothers mourning sons lost in war, young artists, a Park Avenue judge. All their lives are ordinary and unforgettable, overlapping at the edges, occasionally converging. And when they coalesce in the final pages, the moment hums with such grace that its memory might tighten your throat weeks later. You might find yourself paused, considering the universe of lives one city contains in any slice of time, each of us a singular world, sometimes passing close enough to touch or collide, to birth a new generation or kill it, sending out ripples, leaving residue, an imprint, marking each other, our city, the very air--compassionately or callously, unable to see all the damage we do or heal. And most of us stumbling, just trying not to trip, or step in something awful.

Strength in What Remains is the story of Deogratias, a young man from the central African nation of Burundi. In 1993, through no fault of his own, he was forced onto a terrifying journey, a journey that split his life in two. First he made a six-months-long escape, on foot, from ethnic violence in Burundi and from genocide in Rwanda. Then, in a strange twist of fate, he was, as it were, transported to New York City, where it sometimes seemed that his travails had only just begun.

No character in the canon has been writ larger than Henry VIII, but that didn't stop Hilary Mantel. She strides through centuries, past acres of novels, histories, biographies, and plays--even past Henry himself--confident in the knowledge that to recast history's most mercurial sovereign, it's not the King she needs to see, but one of the King's most mysterious agents. Enter Thomas Cromwell, a self-made man and remarkable polymath who ascends to the King's right hand. Rigorously pragmatic and forward-thinking, Cromwell has little interest in what motivates his Majesty, and although he makes way for Henry's marriage to the infamous Anne Boleyn, it's the future of a free England that he honors above all else and hopes to secure. Mantel plots with a sleight of hand, making full use of her masterful grasp on the facts without weighing down her prose. The opening cast of characters and family trees may give initial pause to some readers, but persevere: the witty, whip-smart lines volleying the action forward may convince you a short stay in the Tower of London might not be so bad... provided you could bring a copy of Wolf Hall along. --Anne Bartholomew

Committed to a quiet life in little Enniscorthy, Ireland, the industrious young Eilis Lacey reluctantly finds herself swept up in an unplanned adventure to America, engineered by the family priest and her glamorous, "ready for life" sister, Rose. Eilis's determination to embrace the spirit of the journey despite her trepidation--especially on behalf of Rose, who has sacrificed her own chance of leaving--makes a bittersweet center for Brooklyn. Colm Tóibín's spare portrayal of this contemplative girl is achingly lovely, and every sentence rings with truth. Readers will find themselves swept across the Atlantic with Eilis to a boarding house in Brooklyn where she painstakingly adapts to a new life, reinventing herself and her surroundings in the letters she writes home. Just as she begins to settle in with the help of a new love, tragedy calls her home to Enniscorthy, and her separate lives suddenly and painfully merge into one. Tóibín's haunted heroine glows on the page, unforgettably and lovingly rendered, and her story reflects the lives of so many others exiled from home. --Daphne Durham

Ethan Wate is struggling to hide his apathy for his high school "in" crowd in small town Gatlin, South Carolina, until he meets the determinedly "out" Lena Duchannes, the girl of his dreams (literally--she has been in his nightmares for months). What follows is a smart, modern fantasy--a tale of star-crossed lovers and a dark, dangerous secret. Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery until you emerge gasping and blinking, wondering what happened to the last few hours (and how many more you're willing to give up). To tell too much of the plot would spoil the thrill of discovery, and believe me, you will want to uncover the secrets of this richly imagined dark fantasy on your own. --Daphne Durham

The story itself could take your breath away: an 11-year-old boy, the only survivor of a small-plane crash in the San Gabriel Mountains in 1979, makes his way to safety down an icy mountain face in a blizzard, using the skills and determination he learned from his father. But it's the way that Norman Ollestad tells his tale that makes Crazy for the Storm a memoir that will last. He almost has too much to tell: a way-larger-than-life father--former child actor, FBI man (who took on Hoover in a controversial book), and surfer who drove his son to test his limits in the surf and on the slopes; a youth spent in the short-lived counterculture paradise of Topanga Canyon; a stepfather who could give Tobias Wolff's a run for his money; and of course the crash. But writing 30 years later, Ollestad is wise and talented enough to focus his story on the essentials, cutting elegantly back and forth between a moment-by-moment account of the crash and his memories of the difficult but often idyllic year leading up to it. More than a story of survival, it's a time-tempered reckoning with what it means to be a father and a son. --Tom Nissley

Stieg Larsson's seething heroine, Lisbeth Salander, once again finds herself paired with journalist Mikael Blomkvist on the trail of a sinister criminal enterprise. Only this time, Lisbeth must return to the darkness of her own past (more specifically, an event coldly known as "All the Evil") if she is to stay one step ahead--and alive. The Girl Who Played with Fire is a break-out-in-a-cold-sweat thriller that crackles with stunning twists and dismisses any talk of a sophomore slump. Fans of Larsson's prior work will find even more to love here, and readers who do not find their hearts racing within the first five pages may want to confirm they still have a pulse. Expect healthy doses of murder, betrayal, and deceit, as well as enough espresso drinks to fuel downtown Seattle for months. --Dave Callanan

The city is Beszel, a rundown metropolis on the eastern edge of Europe. The other city is Ul Qoma, a modern Eastern European boomtown, despite being a bit of an international pariah. What the two cities share, and what they don't, is the deliciously evocative conundrum at the heart of China Mieville's The City & The City. Mieville is well known as a modern fantasist (and urbanist), but from book to book he's tried on different genres, and here he's fully hard-boiled, stripping down to a seen-it-all detective's voice that's wonderfully appropriate for this story of seen and unseen. His detective is Inspector Tyador Borlu, a cop in Beszel whose investigation of the murder of a young foreign woman takes him back and forth across the highly policed border to Ul Qoma to uncover a crime that threatens the delicate balance between the cities and, perhaps more so, Borlu's own dissolving sense of identity. In his tale of two cities, Mieville creates a world both fantastic and unsettlingly familiar, whose mysteries don't end with the solution of a murder. --Tom Nissley

Reading Stitches may feel unexpectedly familiar. Not in the details of its story--which is David Small's harrowing account of growing up under the watchless eyes of parents who gave him cancer (his radiologist father subjected him to unscrupulous x-rays for minor ailments) and let it develop untreated for years--but in delicate glimpses of the author's child's-eye view, sketched most often with no words at all. Early memories (and difficult ones, too) often seem less like words than pictures we play back to ourselves. That is what's recognizable and, somehow, ultimately delightful in the midst of this deeply sad story: it reminds us of our memories, not just what they are, but what they look like. In every drawing, David Small shows us moments both real and imagined—some that are guileless and funny and wonderfully sweet, many others that are dark and fearful—that unveil a very talented artist, stitches and all. --Anne Bartholomew

Discarded motor parts, PVC pipe, and an old bicycle wheel may be junk to most people, but in the inspired hands of William Kamkwamba, they are instruments of opportunity. Growing up amid famine and poverty in rural Malawi, wind was one of the few abundant resources available, and the inventive fourteen-year-old saw its energy as a way to power his dreams. "With a windmill, we'd finally release ourselves from the troubles of darkness and hunger," he realized. "A windmill meant more than just power, it was freedom." Despite the biting jeers of village skeptics, young William devoted himself to borrowed textbooks and salvage yards in pursuit of a device that could produce an "electric wind." The Boy Who Harnessed the Wind is an inspiring story of an indomitable will that refused to bend to doubt or circumstance. When the world seemed to be against him, William Kamkwamba set out to change it. --Dave Callanan