Where the Wild Things Are is one of those truly rare books that can be enjoyed equally by a child and a grown-up. If you disagree, then it's been too long since you've attended a wild rumpus. Max dons his wolf suit in pursuit of some mischief and gets sent to bed without supper. Fortuitously, a forest grows in his room, allowing his wild rampage to continue unimpaired. Sendak's color illustrations (perhaps his finest) are beautiful, and each turn of the page brings the discovery of a new wonder.
The wild things--with their mismatched parts and giant eyes--manage somehow to be scary-looking without ever really being scary; at times they're downright hilarious. Sendak's defiantly run-on sentences--one of his trademarks--lend the perfect touch of stream of consciousness to the tale, which floats between the land of dreams and a child's imagination.

Inspirational yet honest, and always rhythmically rollicking, Oh, the Places You'll Go! is a perfect sendoff for children, 1 to 100, entering any new phase of their lives. Kindergartners, graduate students, newlyweds, newly employeds--all will glean shiny pearls of wisdom about the big, bountiful future. The incomparable Dr. Seuss rejoices in the potential everyone has to fulfill their wildest dreams: "You'll be on your way up! / You'll be seeing great sights! / You'll join the high fliers / who soar to high heights." At the same time, he won't delude the starry-eyed upstart about the pitfalls of life: "You can get all hung up / in a prickle-ly perch. / And your gang will fly on. / You'll be left in a Lurch."

For a little one who is reluctant to go to bed, sometimes a silly book is just the ticket. And when it comes to silly books, Sandra Boynton is the undisputed queen. In The Going to Bed Book, an ark full of animals watches the sun go down and then prepares for bed. They take a bath ("in one big tub"), find pajamas, brush their teeth, do exercises up on deck (imagine an elephant jumping rope, a moose lifting weights, and a pig doing handstands), and finally say good night.

Plucky barnyard denizens unite to improve their working conditions in this hilarious debut picture book from Cronin (appropriately enough, an attorney). Farmer Brown is dumbfounded when his cows discover an old typewriter in the barn and begin experimenting ("All day long he hears click, clack, moo. Click, clack, moo. Clickety clack moo"). Things really get out of hand when the cows began airing their grievances. Lewin (Araminta's Paint Box) conveys the fellow's shock as he reads: "Dear Farmer Brown, The barn is very cold at night. We'd like some electric blankets. Sincerely, The Cows." When Farmer Brown denies the cows' request, the bovine organizers go on strike. Through the use of the man's shadow, Lewin communicates his rage: the straw in his hat creates the appearance of his hair on end. With help from a neutral duck mediator, the exasperated Farmer Brown finally makes concessions. But, much to his dismay, the cows are not the only creatures that can type. Cronin humorously turns the tables on conventional barnyard dynamics; Lewin's bold, loose-lined watercolors set a light and easygoing mood that matches Farmer Brown's very funny predicament. Kids and underdogs everywhere will cheer for the clever critters that calmly and politely stand up for their rights, while their human caretaker becomes more and more unglued. Ages 3-7. (Feb.)
Copyright 2000 Reed Business Information, Inc.

Nearly a decade into their run, it's clear that The Simpsons is one of the best-loved and most influential television shows to come down the pike in a long while. If the show's attitude was a little less pervasive, this encyclopedic book would be aimed solely at Simpsons addicts. But that's not entirely true--Matt Groening and Ray Richmond have created a book that is essential for anyone interested in where TV is today. That's not to suggest that the book is serious, though--it's not. The Simpsons: A Complete Guide to Our Favorite Family (that's debatable, but who cares?) is a collection of everything related to the show, from all the "couch gags" during the end of the opening credits, to the complete words to the theme song from The Itchy and Scratchy Show. There are broadcast dates, credits, and hidden jokes for every episode. You'll even find a list of things that make Homer go "Mmm..."

Many, many adults name this book as their favorite Little Golden Book. Generations of kids have interacted with lovable, furry old Grover as he begs the reader not to turn the page—for fear of a monster at the end of the book. “Oh, I am so embarrassed,” he says on the last page . . . for, of course, the monster is Grover himself! This all-time favorite is now available as a Big Little Golden Book—perfect for lap-time reading.

"One night, after thinking it over for some time, Harold decided to go for a walk in the moonlight." So begins this gentle story that shows just how far your imagination can take you. Armed only with an oversized purple crayon, young Harold draws himself a landscape full of beauty and excitement. But this is no hare-brained, impulsive flight of fantasy. Cherubic, round-headed Harold conducts his adventure with the utmost prudence, letting his imagination run free, but keeping his wits about him all the while. He takes the necessary purple-crayon precautions: drawing landmarks to ensure he won't get lost; sketching a boat when he finds himself in deep water; and creating a purple pie picnic when he feels the first pangs of hunger.
Crockett Johnson's understated tribute to the imagination was first published in 1955, and has been inspiring readers of all ages ever since. Harold's quiet but magical journey reminds us of the marvels the mind can create, and also gives us the wondrous sense that anything is possible. (Ages 4 to 8) --This text refers to the Hardcover edition.

PreSchool-K–Young Nancy, like her literary predecessors Eloise and Olivia, is a glamour queen dropped into a boring world–Nobody in my family is fancy at all. They never even ask for sprinkles. She determines to rescue her relatives from their humdrum existence by giving them lessons and accessorizing their mundane wardrobes. A situation that is charming when observed by adults in real life doesnt translate into a successful picture book. Children pretending to be fabulous creatures is appealing when it is innocent and unforced. This book, despite Glassers wonderfully energetic artwork, is ultimately a story told by adults for adults.–Kathleen Whalin, York Public Library, ME

PreSchool-K–With its sweet rendering of the trials of bedtime and separation anxiety, this book's familiar theme will be a hit with youngsters. Baby Llama, all tucked in and kissed after his bedtime story, watches his mama leave the room with a worried expression on his face. When he calls her and she does not come back immediately, he succumbs to a fit of wailing and weeping, finally bringing his panic-stricken mother at a full gallop. After her reassurance that "Mama Llama's always near, even if she's not right here," Baby Llama settles and drifts off to sleep. This story has a simple rhyme scheme, using natural language that children will enjoy. The large, boldly colored pictures have a grand and sweeping quality, extending out to the edges of the pages. Baby Llama's facial expressions capture his fear and alarm wonderfully. The contrast between light and dark enhances the drama in the story. This effective read-aloud will be a popular choice for storyhour and one-on-one sharing.–Corrina Austin, Locke's Public School, St. Thomas, Ontario, Canada

It is quite simply, a treasure! It is one of those rare books that will sell & sell & sell..plus, it will enrich the lives of those who give it and receive it." (Bookstore Owner )

"The concept of timelessness, perfection, love...eternity are all brilliantly and literally portrayed." (Hospice Chaplain )

"I love the book and I am very choosy about what I pick out for our resource center. This book is a treasure!" (Director, Fernside, A Center for Grieving Children

The third book in this genre-busting series is certain to enlarge Kinney's presence on the bestseller lists, where the previous titles have taken up residence for the past two years. Kinney's spot-on humor and winning formula of deadpan text set against cartoons are back in full force. This time, Greg starts off on New Year's Day (he resolves to "help other people improve," telling his mother, "I think you should work on chewing your potato chips more quietly") and ends with summer vacation. As he fends off his father's attempts to make him more of a man (the threat of military school looms), Greg's hapless adventures include handing out anonymous valentines expressing his true feelings ("Dear James, You smell"), attempting to impress his classmate Holly and single-handedly wrecking his soccer team's perfect season. Kinney allows himself some insider humor as well, with Greg noting the "racket" children's book authors have going. "All you have to do is make up a character with a snappy name, and then make sure the character learns a lesson at the end of the book." Greg, self-centered as ever, may be the exception proving that rule. Ages 8-12.

Starred Review. PreSchool-Grade 1–Trixie steps lively as she goes on an errand with her daddy, down the block, through the park, past the school, to the Laundromat. For the toddler, loading and putting money into the machine invoke wide-eyed pleasure. But, on the return home, she realizes something. Readers will know immediately that her stuffed bunny has been left behind but try as she might, (in hilarious gibberish), she cannot get her father to understand her problem. Despite his plea of "please don't get fussy," she gives it her all, bawling and going "boneless." They both arrive home unhappy. Mom immediately sees that "Knuffle Bunny" is missing and so it's back to the Laundromat they go. After several tries, dad finds the toy among the wet laundry and reclaims hero status. Yet, this is not simply a lost-and-found tale. The toddler exuberantly exclaims, "Knuffle Bunny!!!" "And those were the first words Trixie ever said." The concise, deftly told narrative becomes the perfect springboard for the pictures. They, in turn, augment the story's emotional acuity. Printed on olive-green backdrops, the illustrations are a combination of muted, sepia-toned photographs upon which bright cartoon drawings of people have been superimposed. Personalities are artfully created so that both parents and children will recognize themselves within these pages. A seamless and supremely satisfying presentation of art and text.–Martha Topol, Traverse Area District Library, Traverse City, MI